Nguyet records a violin riff at 3 a.m. in Hanoi. He sends it via chat.<\/p>\n\n\n\n
Michal opens it at 10pm in Rotterdam, throws a synth on it that sounds like it came out of Blade Runner.<\/p>\n\n\n\n
Michiko listens to it the next morning in Tokyo and thinks: \u201cThis is where we need a battery that can break everything.\u201d<\/em><\/p>\n\n\n\n I, in Italy, receive the file the next afternoon and understand that we are building something that shouldn't exist\u2014but will exist anyway.<\/p>\n\n\n\n Cody\u2026 well, he flies above everything and everyone!<\/p>\n\n\n\n Hundreds of small recordings. Each from their own home. Each in their own time zone. Sending files, overlaying, arguing over which version to keep. Redoing. Destroying. Rebuilding. And starting again.<\/p>\n\n\n\n A beautiful challenge. A 5-minute and 45-second instrumental piece that has no vocals because it doesn't need them\u2014the emotions speak for themselves.<\/p>\n\n\n\n Finding four crazy, nerdy musicians like me wasn't easy. I found them scattered around the world. Five people. Five cultures. Five completely different ways of experiencing music. And zero compromise.<\/p>\n\n\n\n 8000 miles separate us.<\/strong> But that distance isn't a limitation\u2014it's our manifesto. We're living proof that geography is irrelevant when you have a shared vision: creating music that doesn't exist yet, that shouldn't work, but that rocks precisely because no one's ever dared to do it before.<\/p>\n\n\n\n It's not a background track. It's a journey. Electro-jazz, prog metal, classical music: all together.<\/p>\n\n\n\nCHIMERA is the result of this ongoing construction.<\/strong><\/h2>\n\n\n\n
Listen to It Now (If You Dare)<\/strong><\/h2>\n\n\n\n